In this piece, the artist invites us to an intimate and fantastical ceremony: tea time, reimagined in a universe where human identity dissolves among petals and memories.The central figure, inspired by the aesthetics of nineteenth-century portraiture, sits with elegance, holding a delicate teacup. Yet her face has been replaced by a white orchid — a symbol of rare beauty, mystery, and transformation. This fusion between human body and vegetal form evokes a surrealist imagination and poses the timeless question of who we are — or who we might become — if we abandon our everyday masks. The open, serene flower suggests a self in full bloom: an identity not defined by features, but by its ability to flourish and inhabit the realm of feeling. The scene is framed by a soft color palette — creams, muted greens, pale yellows — evoking memory, suspended time, and an atmosphere that feels both domestic and dreamlike. It conjures not only the interiors of a bygone era but also the mental landscapes of fantasy: a personal Wonderland, where the everyday ritual of tea transforms into a poetic act of resistance, care, and rebirth. Thus, Tea Time in Wonderland not only alludes to the world of Lewis Carroll, but reinterprets it through an intimate and feminine lens, where the beautiful and the strange coexist — reminding us that to bloom, even in the unexpected, is also a way of being.